Gendered Voices of the film: from the Empire Film to Cinema - Université Bordeaux Montaigne

Gendered Voices of the film: from the Empire Film to Cinema

Crédits ECTS : 6

Volume horaire CM : 12

Volume horaire TD : 12

Code ELP : MIA2Y28

Composante : UFR Langues et Civilisations

Période de l'année : Semestre 2

Formes d'enseignement : Non accessible à distance

Description

The focus of this seminar is upon representations of the links between the British Empire and colonialism from the 1930s to the present time in colonial and postcolonial cinema. We will explore a variety of perspectives, from postcolonial studies to gender and cultural studies, in order to examine how the empire film relies on figures and stereotypes that the cinemas of decolonisation and the diasporas reappropriate throigh strategies of irony and subversion. We will study the way the identification of the nation to gendered figures informs narratives and representations and how female directors have offered alternative discourses in various contexts of production.

Informations complémentaires

Filmography
1938 The Drum (dir. Zoltan Korda)
1947 Black Narcissus (dir. Michael Powell and Emeric Pressburger)
1956 Bhowani Junction (dir. George Cukor)
1957 Mother India (dir. Mehboob Khan)
1965 Shakespeare Wallah (dir. James Ivory)
1982 Heat and Dust (dir. James Ivory)
1984 The Far Pavilions (TV series, dir. Peter Duffell, 316 min.) - The Jewel in the Crown (TV series, dir. Christopher Morahan, Jim O’Brien, 778 min.)
1985 A Passage to India (dir. David Lean) – My Beautiful Laundrette (dir. Stephen Frears)
1993 Bhaji on the Beach (dir. Gurinder Chadha)
1994 Bandit Queen (dir. Shekhar Kapur)
1998 Fire (dir. Deepa Mehta)
2002 The Four Feathers (dir. Shekhar Kapur)
2005 I for India (dir. Sandhya Suri)
2006 Nina’s Heavenly Delights (dir. Pratibhar Parmar) – The Namesake (dir. Mira Nair)
2012 The Reluctant Fundamentalist (dir. Mira Nair) – Midnight’s Children (dir. Deepa Mehta)

Bibliographie

BRANTLINGER, Patrick, Rule of Darkness. British Literature and Imperialism, 1830-1914, Ithaca and London: Cornell University Press, 1988
CHAPMAN, James & Nicholas J. CULL, Projecting Empire: Imperialism and Popular Cinema, London & New York, I. B. Tauris, 2009
CHOWDHRY, Prem, Colonial India and the making of empire cinema, Manchester: Manchester University Press, 2000
DYER, Richard, White, London and New York: Routledge, 2008 [1997]
GLANCY, H. Mark, When Hollywood Loved Britain. The Hollywood ‘British’ Film, 1939-1945, Manchester: Manchester University Press, 1999
GRIEVESON, Lee & Colin MACCABE, eds., Empire and Film, London: BFI, 2011
GRIEVESON, Lee & Colin MACCABE, eds., Film and the End of Empire, London: BFI, 2011
LANDY, Marcia, British Genres: Cinema and Society 1930-1960, Princeton: Princeton University Press, 1991
MONK, Claire & Amy SARGEANT, eds, British Historical Cinema, London and New York: Routledge, 2002
MOREY, Peter, Fictions of India: Narrative and Power, Edinburgh: Edinburgh University Press, 2000

MORLEY, David & Kevin ROBINS, Spaces of Identity. Global Media, Electronic Landscapes and Cultural Boundaries, London and New York: Routledge, 1995
PONZANESI Sandra & Marguerite WALLER, eds., Postcolonial Cinema Studies, London & New York: Routledge, 2012
VIRDI, Jyotika, The Cinematic Imagination: Indian Popular Films as Social History, New Brunswick, NJ : Rutgers University Press, 2003

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